Selasa, 27 November 2012

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The Santa Trap, by Jonathan Emmett

Bradley Bartleby is bad. Very bad. To avoid Bradley's wrath, his wealthy parents buy him whatever he wants. All the adults in Bradley's life are running scared - except for Santa Claus, who refuses to give him anything but socks.

But Bradley vows to get what he deserves. If Santa won't give him the gifts he wants, Bradley will just have to steal them.

It takes Bradley a full year to execute his plan. In the end, he transforms his house into a trap so fearsome even his parents refuse to enter it. With dynamite, trapdoors, guillotines, and tigers in his path, Santa doesn't stand a chance. Or does he?

  • Sales Rank: #150973 in Books
  • Brand: Brand: Peachtree Publishers
  • Published on: 2012-10-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 12.25" h x 9.75" w x .50" l, 1.05 pounds
  • Binding: Hardcover
  • 32 pages
Features
  • Used Book in Good Condition

From School Library Journal
Gr 2-4-A beastly boy gets his comeuppance, partially due to his own efforts, and partially thanks to that wily old elf, Santa Claus. Bradley Bartleby starts out bad (at birth, he stole the doctor's stethoscope), and gets worse as he gets older. His wealthy, overindulgent, and frankly terrified parents give in to his every whim, but Santa thwarts him every Christmas with a token pair of socks. Bradley plots hideous revenge, but Santa (unseen except in Bradley's imagination through the entire book) gets the last word with his well-considered holiday gift. Bernatene's digital mixed-media illustrations are a perfectly creepy fit to this unusual holiday tale. There's no telling whether or not Santa's intervention will change Bradley's evil ways, and some might find this budding fiend more than a little disturbing, but fans of the Addams Family and Emily the Strange shenanigans might appreciate the dark humor.-Mara Alpert, Los Angeles Public Libraryα(c) Copyright 2011. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

From Booklist
British bad boy Bradley Bartleby is a spoiled brat who wants to wring Santa for any and all goodies. This tale of one boy’s mean-spirited attempts to get more than he is offered takes predictable turns, as Bradley manages to estrange those nearest to him with his thankless greed, becoming increasingly aggressive. Of course, his best-laid plans to waylay Santa backfire, and he himself is caught in the trap—while Santa gets sweet vengeance. Bernatene’s bright, cartoony paintings offer proportions and distortions reminiscent of animated features like Tim Burton’s The Nightmare Before Christmas. Bradley’s cunning is fairly monotone, but his expressions and contrivances are delightful to examine. A solid find for readers more comfortable with videos than with stories on pages. Grades 2-4. --Francisca Goldsmith

Review
"This funny, beautifully illustrated story will have you talking about the importance of "being good for goodness' sake."
THE WASHINGTON POST

STARRED REVIEW …hilarious, bizarre holiday story… The cleverly constructed plot unfolds with perfect comedic timing and dry wit, complemented by digitally produced mixed-media illustrations that have a suitably sinister, magnetic charm…Naughty. But nice. --Kirkus Reviews, starred review, Sept. 1, 2012

STARRED REVIEW ...Bernatene s cinematic mixed-media illustrations work wicked magic with Emmett s darkly comedic prose, as Bradley s plans backfire explosively. An ideal Christmas present for children who prefer Halloween. --Publishers Weekly, starred review, Sept 10, 2012

Bradley Bartleby is a menace he d been born bad. As his antics grow worse throughout the years, his parents cater to him ( because they were terrified ), but Santa does not: every Christmas Bradley receives only socks from jolly Saint Nick. So Bradley hatches a plan to capture Santa using an absurdly intricate trap that includes dynamite, vicious tigers, a guillotine, and more and make sure the fat fool gets exactly what he deserves. In a humorous twist ending, it s Bradley who s served his comeuppance (and another pair of socks). Bernatene s digital illustrations bring the troublemaker s beastliness to life in this cautionary tale disguised as a holiday romp. --Horn Book, November/December 2012

Most helpful customer reviews

0 of 0 people found the following review helpful.
Brilliant Christmas Book for Boys
By PJgamers
I grabbed this book to read to my son's class at school. He wanted a book that was a "boy" book. This totally worked. It is hilarious!! The whole class (elementary school) LOVED it! They were all smart enough to know that the boy was being naughty and that you really shouldn't try to trap Santa with Bombs and Bengal Tigers. The illustrations are captivating and amazing. The kids wanted to read it again and again. This is a story they won't get sick of. The girls laughed just as hard as the boys. Kudos to the author on a great book.

0 of 0 people found the following review helpful.
Five Stars
By fullpl8
My 2nd graders loved this book!

0 of 0 people found the following review helpful.
Five Stars
By Shannon Adams
This book is such a cute book!

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Senin, 26 November 2012

[Q681.Ebook] Download Framed Ink: Drawing and Composition for Visual Storytellers, by Marcos Mateu-Mestre

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Framed Ink: Drawing and Composition for Visual Storytellers, by Marcos Mateu-Mestre

The ultimate guide to visual storytelling! How to make the audience ""feel"" the story while they are ""reading"" the story. Using his experiences from working in the comic book industry, movie studios and teaching, Marcos introduces the reader to a step-by-step system that will create the most successful storyboards and graphics for the best visual communication.

After a brief discussion on narrative art, Marcos introduces us to drawing and composing a single image, to composing steady shots to drawing to compose for continuity between all the shots. These lessons are then applied to three diverse story lines - a train accident, a cowboy tale and bikers approaching a mysterious house.

In addition to setting up the shots, he also explains and illustrates visual character development, emotive stances and expressions along with development of the environmental setting to fully develop the visual narrative.

  • Sales Rank: #14314 in Books
  • Brand: Brand: Design Studio Press
  • Published on: 2010-08-31
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.95" h x .55" w x 8.56" l, 1.39 pounds
  • Binding: Paperback
  • 128 pages
Features
  • Used Book in Good Condition

Review

“With Framed Ink, Marcos Mateu distills his twenty-plus year career in feature animation into a clear, practical manual on the language of images.  Marcos has a special eye for composition, lighting, and continuity that creates a tangible sense of mood and drama in all of his work.”

-       Jeffrey Katzenberg, Co-founder and CEO DreamWorks Animation SKG



“There are some people who draw in a way that looks like they load their pens with pure liquified fun. Concept artist Marcos Mateu has a wonderful character of line and a jaunty, casual style that makes it look like the lines danced out and created the image of their own accord. His loose, relaxed application of color, which careens between brilliant lights and rich, atmospheric darks, just adds to the visual treat. Mateu’s drawings have just the right touch of exaggeration to give them extra visual appeal; lines are given an extra spring, forms bent out just a bit, and figures swirled into motion in a way that gives everything a sense of verve and life.” - Charley Parker

About the Author

Spanish born Marcos Mateu-Mestre is a visual concept, traditional animation layout, and graphic novel artist whose film credits include titles such as ‘Balto’, ‘The Prince of Egypt’, ‘Asterix and the Vikings’ and ‘Surf’s Up’ amongst others.
With an extensive experience of twenty years in feature animation, working mainly for Dreamworks  and Sony Pictures, he has also been teaching drawing, illustration and visual storytelling techniques for twelve years.
His works as a film maker have mostly included both the design and cinematic aspects of film, taking care of frame composition, lighting and visual continuity of many key sequences in some major productions.

Most helpful customer reviews

3 of 3 people found the following review helpful.
Better Than I Expected
By Manassa Trinidad La Coa
It took about a month for this book to arrive, but it was well worth the wait. When I flipped through the pages, I was somewhat impressed with the artwork, but not very. A second flip-through (double-take) proved that the book was mostly made up of inking and not a whole lot of text. I began to worry if I'd been duped and wasted my money. What could I possibly learn from a bunch of black and white images with a paragraph or two thrown in? It reminded me of some the art books my university lists as required reading that cost an arm and really don't deliver. I could've gotten more artistic education out of a graphic novel.

However, I finally found the time to sit and actually read it. It is an amazing book. Upon attentive study I realized the inkings weren't somewhat impressive they were incredible. It seems that the author, Mateu--Mestre, has a very minimalist approach to both art and instruction; yet, both his art and his lessons are immensely informative. The lessons are short and oh-so sweet. I learned new things just reading the first few pages because Mateu-Mestre isn't just trying to convey an academic sense of storytelling, but the very spirit of it. And I can tell you that is one of the major issues I have been tackling with my artwork i.e. breathing life into it, creating mood and emotion.

Mateu-Mastre's book is a very good complement to two other books I bought, both by James Gurney - who does take a more academic approach to instruction and whose art is detailed and vibrant. I wish I would've come across these guys when I first began art college.

Marcos Mateu-Mestre has created an excellent learning tool here, especially if you are a novice or mid-level artist. I so highly recommend this book that I would go as far as to say that it is a must have in any artist's library who is interested in narrative art e.g. comics, graphic novels, storyboarding, illustration, concept art, etc...

I also recommend James Gurney's Color and Light.

76 of 80 people found the following review helpful.
Great how-to book
By Parka
[[VIDEOID:moXWRJRJGZ75SG]]There are probably no other books around that covers composition with emphasis on storytelling as well as Framed Ink. This is a whole book devoted to the subject, as compared to other books (on storyboards) that usually have only one or two chapters.

Although the illustrated examples are mainly movie composition, the techniques can be applied to animation, movies and even graphic novels. Every technique comes with a concise breakdown. You get to understand how and why shots are framed in a certain way, or how to create compositions to create a certain mood. There are also tips on lighting and continuity.

Over 200 beautifully illustrated examples are included. And they are really good examples. Just by looking at the examples alone, without even reading the commentary, you already get a good idea of what's happening.

Marcos Mateu-Mestre has distilled his 20 years of experience and knowledge into an accessible package you shouldn't miss out on.

This is the essential how-to book for storytellers, or for anyone who needs to put images on screen or on paper.

Highly recommended.

-

You can check out more of his work on his website.

-

(There are more pictures of the book on my blog. Just visit my Amazon profile for the link.)

1 of 1 people found the following review helpful.
Thoughts from a graduate student, human geographer, and Latino Veteran of U.S. Army
By Rafa
Reading Marcos's book, Framed Ink (2010), in the fall semester of 2011 re-kindled some old passions, when I was taking some graduate courses in the college of Design at NCSU, as well as some classes in Geographic Information Systems (GIS). This is the future for those interested in environmental design and landscape architecture and GIS and other social sciences, as well as those interested in deconstructing superheroes to acknowledge the need for human geographers to understand visual storytelling is an artistic endeavor. Without question, this graphic and literary masterpiece serves its purpose of drawing pictures to raise the consciousness of art as "an investigative approach" to study life, evident in his "Last Thoughts" when Mr. Mateu-Mestre states: "Creating art will force us to make that extra effort to rationalize the things that are deepest in our mind (p. 119)." You should know that every chapter of Framed Ink (Mateu-Mestre, 2010) offers some foresight, hindsight, and insight into the world of animation, graphic novels, and movies by sharing universal principles associated with art, from the strategy of studying the atmosphere to the tactics, techniques, and procedures associated with chiaroscuro and designing shots with a sense of purpose.

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Sabtu, 17 November 2012

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  • Published on: 1656
  • Binding: Hardcover

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No One Is Coming to Help. Now What?In this era of increasingly complex problems and shrinking resources, can we find meaningful and enduring solutions to the challenges we face today as individuals, communities, and nations?
In Walk Out Walk On, we invite you on a learning journey to seven communities around the world to meet people who have walked out of limiting beliefs and assumptions and walked on to create healthy and resilient communities. These Walk Outs who Walk On use their ingenuity and caring to figure out how to work with what they have to create what they need.
From Mexico to India, from Columbus, Ohio to Johannesburg, South Africa, we discover that all communities have the intelligence and inventiveness to solve their seemingly insolvable problems. "We discovered a gift inside ourselves," one Brazilian said, "something that was already there."

  • Sales Rank: #181318 in Books
  • Brand: Wheatley, Margaret/ Frieze, Deborah
  • Published on: 2011-04-11
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.97" h x .64" w x 6.00" l, 1.21 pounds
  • Binding: Paperback
  • 288 pages

Review
"A cliffhanger of a football novel bristling with social, personal, familial and ethical issues to complement the gridiron action.... All the goods for the sports enthusiast―and more."

"If there is any hope for us, it lies in rediscovering and recreating community. Do not doubt this is possible. Read Walk Out Walk On and see for yourself--and see your self." (Peter Senge, author of The Fifth Discipl)

From the Back Cover
"If there is any hope for us, it lies in rediscovering and recreating community. Do not doubt this is possible. Read Walk Out Walk On and see for yourself--and see your self."
--Peter Senge, author of The Fifth Discipline and coauthor of Presence and The Necessary Revolution

"Exuberant and galvanizing, this book takes us to where the future is happening--not in the corridors of power but at the grassroots where a 'trans-local' movement is unleashing human creativity and smarts."
--Joanna Macy, author of World as Lover, World as Self

"This book gives insight and beauty to what is becoming the new, new world--an intimate journey with communities and citizens cre- ating a future with their own hearts, hands, and relationships."
--Peter Block, author of Community and coauthor of The Abundant Community

Margaret Wheatley was cofounder and president of The Berkana Institute; Deborah Frieze succeeded her. Berkana partners with people developing healthy and resilient communities worldwide, many of whom are described in this book. Margaret is the author of five other books, including Leadership and the New Science and Perseverance.

About the Author

Margaret J. Wheatley is President Emerita and founder of The Berkana Institute, Meg has been working with people for many years to develop new practices and ideas for organizing people and communities. She is an internationally acclaimed speaker and author of several bestselling titles: Leadership and the New Science, A Simpler Way, Turning to One Another, and most recently, Finding Our Way.

Deborah Frieze is an author, entrepreneur and social activist. As former co-president of The Berkana Institute and co-founder of the Berkana Exchange, Deborah joined Berkana in 2002 to help bring its vision into the world and grow the Institute. She serves as a board member and is leading several initiatives, including Feeding Ourselves Sustainably, Swaraj University and multiple Sharing Our Learning projects. Deborah has an MBA from the Harvard Business School.

Most helpful customer reviews

27 of 29 people found the following review helpful.
Challenged by Hope
By Gibran
I have devoted most of my life to the quest for justice, the path has been beset by victory and loss, hope and frustration. I often find myself contending with a deep awareness that too many of us - including the radicals and do-gooders that I count among my friends - including my own self! All of us seem to be stuck in a paradigm that has reached a dead end. And yet it is all we know. And so we give our hearts and our passion, our energy and life force to a process that often seems doomed.

I have had the privilege of participating in some of the learning journeys beautifully described in this Frieze and Wheatley book. I can honestly tell you that they bring us as close as we can get to the experience without actually being there. What is beautiful about the book is that it brings the reader to that place of hope and upheaval that one experiences on a learning journey. We get to witness phenomenally hopeful responses to injustice and despair. Bold, autonomous, real walk outs from a system that is broken.

The reader is filled with a sense of deep human solidarity, a sense of pride in what these people can accomplish, a sense of hope in our shared capacity to walk out and walk on to something better, something new and something that is fundamentally good. But this does not happen without being beset by the nagging questions of scale, the questions of where is policy change? Where is the state? Isn't all of this just quaint - cute, beautiful but exceptional - irreplicable. We have to come up against the core assumptions of the dominant approach. And if you are a do-gooder, you have to come up against the core assumptions of your own approach.

It is not an easy process, and the conclusion is not forgone. But if you think that something is not working, not even with your own approach to change and social transformation, if you think that our humanity is in need of something else, then these walk outs are onto something, and they seem to be walking on to a very powerful place.

Read this book.

26 of 29 people found the following review helpful.
Fascinating but unrealistic
By Corey
A pretty good read that is somewhat akin to the concepts in "Cultivating Communities of Practice" (http://www.amazon.com/Cultivating-Communities-Practice-Etienne-Wenger/dp/1578513308), putting them into narrative form. The authors write about their journeys to communities around the world - in places like Zimbabwe, India, and Mexico - and their experience with communities that are breaking the mold and finding their own creative, group-based solutions to problems. These people have "walked out" of the systems that aren't working and have "walked on" to help create their own future and solutions (thus the name of the book, "Walk Out, Walk On," a phrase that is actually used very sparsely in the book itself). The book contains actual pictures of the places/people talked about the authors try to paint a vivid picture of the communities they encounter. The point of the book is that these kinds of community-based, creative solutions come about organically and are not imposed or transplanted. The authors spend a good portion of the book criticizing the West for being a know-it-all and importing solutions into other countries and communities that have ended up causing more harm "e.g., the Green Revolution." Their point is argued very convincingly, but they use a pretty condescending tone (as other reviewers have noted) and don't seem to recognize that the communities about which they write represent the exception, not the rule. As many books tend to do, the authors write about fascinating exceptions and then create a whole new, over-arching mental framework for the rest of life from these exceptions. In this case, the authors witness these fascinating, community-based solutions in different spots of the world, and then conclude that the answer to poverty and other problems is the impoverished community itself coming up with its own solution. They seem to argue that the worst thing we can do is try to come in and help and impose our own solutions, but they forget that the vast majority of poor communities have NOT come up with their own solutions nor do they seem motivated or able to do so. Nevertheless, the authors make some very powerful observations about the nature of leadership and community, and the stories they tell are definitely interesting. But I found it more frustrating than inspiring to read, because I kept thinking, "I don't know how to make that work in my context."

16 of 16 people found the following review helpful.
this book contains the seeds of the future
By Alex L.
Sitting around fretting about the future of the human race is a favorite modern activity. Too many people, not enough food, climate change, not enough of this, too much of that. Most of the solutions being offered by development bankers, politicians, economists, and scientists merely shift problems from one place to another, postpone the day of reckoning, and/or create fragile interdependences that are certain to end badly, especially for the poor.

High-tech "silver bullets", like miraculous new sources of energy, won't solve the problems. Even if we do manage to create such new technologies, they are all too likely to perpetuate the status quo wherein the rich get richer, the poor get poorer, and indigenous people lose their land.

Deborah Frieze and Margaret Wheatley have boldly created a window into something different.

Read this book to hear inspiring stories about people who step forward, people who are personally invested in the problems being solved and who work together; and about communities that exchange ideas with other communities as peers, rather than having short-sighted non-solutions handed down to them from a distance.

Using these stories as a starting point, Walk Out Walk On captures insights about change better than anything else I've read. It is like going on your own learning journey, with these two very wise guides.

I hope that by reading this book, others will be inspired, and the gears of change will start turning.

As the Zapatistas say: "Otro mundo es posible."

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On Bullshit, by Harry G. Frankfurt

A #1 NEW YORK TIMES BESTSELLER

One of the most salient features of our culture is that there is so much bullshit. Everyone knows this. Each of us contributes his share. But we tend to take the situation for granted. Most people are rather confident of their ability to recognize bullshit and to avoid being taken in by it. So the phenomenon has not aroused much deliberate concern. We have no clear understanding of what bullshit is, why there is so much of it, or what functions it serves. And we lack a conscientiously developed appreciation of what it means to us. In other words, as Harry Frankfurt writes, "we have no theory."

Frankfurt, one of the world's most influential moral philosophers, attempts to build such a theory here. With his characteristic combination of philosophical acuity, psychological insight, and wry humor, Frankfurt proceeds by exploring how bullshit and the related concept of humbug are distinct from lying. He argues that bullshitters misrepresent themselves to their audience not as liars do, that is, by deliberately making false claims about what is true. In fact, bullshit need not be untrue at all.

Rather, bullshitters seek to convey a certain impression of themselves without being concerned about whether anything at all is true. They quietly change the rules governing their end of the conversation so that claims about truth and falsity are irrelevant. Frankfurt concludes that although bullshit can take many innocent forms, excessive indulgence in it can eventually undermine the practitioner's capacity to tell the truth in a way that lying does not. Liars at least acknowledge that it matters what is true. By virtue of this, Frankfurt writes, bullshit is a greater enemy of the truth than lies are.

  • Sales Rank: #4236 in Books
  • Published on: 2005-01-30
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.25" h x 4.25" w x .50" l, .24 pounds
  • Binding: Hardcover
  • 67 pages

Amazon.com Review
"One of the most salient features of our culture is that there is so much bullshit," Harry G. Frankfurt writes, in what must surely be the most eyebrow-raising opener in modern philosophical prose. "Everyone knows this. Each of us contributes his share. But we tend to take the situation for granted." This compact little book, as pungent as the phenomenon it explores, attempts to articulate a theory of this contemporary scourge--what it is, what it does, and why there's so much of it. The result is entertaining and enlightening in almost equal measure. It can't be denied; part of the book's charm is the puerile pleasure of reading classic academic discourse punctuated at regular intervals by the word "bullshit." More pertinent is Frankfurt's focus on intentions--the practice of bullshit, rather than its end result. Bullshitting, as he notes, is not exactly lying, and bullshit remains bullshit whether it's true or false. The difference lies in the bullshitter's complete disregard for whether what he's saying corresponds to facts in the physical world: he "does not reject the authority of the truth, as the liar does, and oppose himself to it. He pays no attention to it at all. By virtue of this, bullshit is a greater enemy of the truth than lies are."

This may sound all too familiar to those of use who still live in the "reality-based community" and must deal with a world convulsed by those who do not. But Frankfurt leaves such political implications to his readers. Instead, he points to one source of bullshit's unprecedented expansion in recent years, the postmodern skepticism of objective truth in favor of sincerity, or as he defines it, staying true to subjective experience. But what makes us think that anything in our nature is more stable or inherent than what lies outside it? Thus, Frankfurt concludes, with an observation as tiny and perfect as the rest of this exquisite book, "sincerity itself is bullshit." --Mary Park

Review
A #1 New York Times Bestseller

Winner of the 2005 Bestseller Award in Philosophy, The Book Standard

"[Frankfurt] tries, with the help of Wittgenstein, Pound, St. Augustine and the spy novelist Eric Ambler, among others, to ask some of the preliminary questions--to define the nature of a thing recognized by all but understood by none. . . . What is bullshit, after all? Mr. Frankfurt points out it is neither fish nor fowl. Those who produce it certainly aren't honest, but neither are they liars, given that the liar and the honest man are linked in their common, if not identical, regard for the truth."--Peter Edidin, New York Times

"The scholar who answers the question, 'What is bullshit?' bids boldly to define the spirit of the present age. . . . Frankfurt's conclusion . . . is that bullshit is defined not so much by the end product as by the process by which it is created. Eureka! Frankfurt's definition is one of those not-at-all-obvious insights that become blindingly obvious the moment they are expressed."--Timothy Noah, Slate

"Immediately, I must say: read it. Beautifully written, lucid, ironic and profound, it is a model of what philosophy can and should do. It is a small and highly provocative masterpiece, and I really don't think I am bullshitting you here."--Bryan Appleyard, The Sunday Times (London)

"This is what the world has long needed. . . . Bullshit is now such a dominant feature of our culture that most of us are confident we can recognize and rebuff it. But Frankfurt shows the reader just how insidious (and destructive) it can be. . . . This book will change your life."--Leopold Froehlich, Playboy

"Frankfurt's book should be required reading for anyone whose speech or writing are intended for public consumption. Despite his subject, he is definitely not full of it."--Kevin Wood, The Daily Yomiuri

"On Bullshit offers a tightly focused, telling critique of a political and cultural climate that seems positively humid with mendacity, obfuscation, evasion and illusion."--Steven Winn, San Francisco Chronicle

"There is an interesting problem sketched at the end of the book, wherein sincerity is described as an ideal for those who do not believe that there is any (objective) truth, thus departing from the ideal correctness. . . . Needless to say, there are numerous problems which may be expanded, looked into and analyzed concerning bullshit. And I dare say that Frankfurt's little book is a nice starting point."--Petter A. Naessan, Philosophy Now

"[On Bullshit's] calm, clearheaded deconstruction of everyday deceit is without parallel."--Gordon Phinn, Books in Canada

"With its relevance to contemporary issues and culture, On Bullshit is well worth the read. . . . The analysis is strict and philosophical with the clear intention of seeking the truth."--Karen Boore, The Michigan Review

"Harry Frankfurt, a Princeton philosophy professor, presents a scholarly and formal essay on inflated truth, purposeful obfuscation, and pretentious duplicity. . . . I'm sure he had a blast writing it, and the droll prose is a tasty treat."--Richard Pachter, The Boston Globe

"Professor Frankfurt concludes that bullshit is a process rather than an end product. . . . If you are fed up with hype, spin and bullshit this book will provide insight - and therapy."--Australian Doctor

"Terrific. . . . Has anything truer ever been written?"--William Watson, Montreal Gazette

"If you want to read a succinct, stylish piece of argument that will make you think far beyond the points it makes, you could do no better than invest ten dollars on Professor Frankfurt's handsomely bound essay."--Christopher Jary, British Army Review

From the Inside Flap
"A gem of psychological insight, social commentary, philosophical analysis, and good humor. This is the work of an extraordinarily acute, attentive, and versatile philosopher who has succeeded in addressing an audience comprised of both other philosophers and the general public on a topic of considerable human interest in a characteristically wry and engaging way. It is one of the most enjoyable and humanly illuminating short pieces of philosophy produced in the past fifty years."--Raymond Geuss, University of Cambridge

"The most audacious of the ancient alchemists desired to transmute lead into gold. They never succeeded. Who would have known that they should have started not with a base metal, but with bullshit? Harry Frankfurt offers a philosophical analysis of bullshit that is golden. The prose by turns employs irony, broad humor, and tongue-in-cheek high seriousness while at the same time manages to have a rigorous logical coherence that is always impressive. One leaves the essay not merely thinking it was a delight. One leaves it realizing that one has engaged the accomplishment of a great analyst and thinker."--William Chester Jordan, Professor of History, Princeton University

Most helpful customer reviews

1471 of 1616 people found the following review helpful.
Short and Sweet
By Pedram Agharokh
I got this book after seeing Prof. Frankfurt on the Daily Show with John Stewart. Having a bachelors degree in philosophy I was intrigued. Here are some of my observations:

1) This book is not traditionally funny. If you are looking for a joke book get one, this is a work of philosophy and as such has a degree of intellectual humor. Some of the observations and comments are funny but overall this is not a joke book, rather it is designed with a specific philosophical purpose... (he's an "ivy league" Philosophy Professor and published by Princeton)

2) Very short but to the point. I read the whole book in less than an hour. That being said there is a lot of content which deserves meaningful reflection... its one of those books that you will probably end up going "ahhh haaa" at least at one point.

3) Inexpensive. Its under ten bucks... some may say that its pricey for such a small book but if you enjoy it, whose to say what the intrinsic value will be to you down the road.

4) Warning... this is not the most complex or even dense piece of philosophy. Certainly its not like reading Hegel or another "headache philosopher" but this is a work of philosphy. As long as you know that going into this there should be no problems. A friend of mine read this book thinking it would be comical and fun, almost expecting jokes and punch-lines... he was disappointed.

The last thing I will say is that I really enjoyed the book and I can imagine many people really reading this book a couple of times and really liking it. I am already recommending it to some of my friends and lawschool professors... If you do decide to buy this book... ENJOY!

97 of 105 people found the following review helpful.
I depends on what you were expecting.
By R. Anthony Lee
I confess that when I bought this book, I expected it to be a sort of quasi-satiric send-up of bulls**t. Then by about p. 10, I began thinking it was a really serious scholarly treatment of the subject. (I mean after all - a professor emeritus of moral philosophy at Princeton?) But as I got further into it, and after reading about 20 of the 140 reviews of the book on Amazon (how many books get 140 reviews?), I began to get the picture. It is indeed a humorous book--not a quasi-satiric har-har kind of joke book, but a very dry sort of academic humor. In fact, I believe it's an academic put-on--in fact, bulls**t about bulls**t. It is highly self-referential in the sense that a great deal of what it says about bulls**t is applicable to the book itself.

Most of the reviewers who figured this out gave it a low rating because they felt they had been conned by the catchy title and resented paying ten dollars for what is little more than a short essay conflated into a publishable format. In some cases, there might have been some degree of humor-impairment involved, but in most, I think it was simply disappointment and the feeling of having been cheated. But I think that misses the point of academic put-ons.

We hardly need to be told that there's a lot of bulls**t in today's culture, but I think it's relevant here to note that a lot of it is found in scholarly literature that sounds like bulls**t to anyone not privy to the particular discipline it is targeted to, but is sincerely meant to be taken seriously by its authors. (Frankfurt's last sentence, tellingly, is, "sincerity itself is bulls**t.") This can lead to fairly serious issues about misrepresentation, which is one of the central elements in Frankfurt's definition of bulls**t. If one perceives a work like this as intending to be taken seriously, then one has a right to feel that it has misrepresented itself and to be pretty disgusted at being taken in. But if one perceives it as a put-on and appreciates it on that level, then misrepresentation is not a problem.

A more serious example is known by the name of the Sokal Affair (see the Wikipedia article under that title). In this case (quoting from that article): "[Alan] Sokal, a professor of physics at New York University, submitted a pseudoscientific paper for publication in a postmodern cultural studies journal, as an experiment to see if a humanities journal would, in Sokal's words, `publish an article liberally salted with nonsense if (a) it sounded good and (b) it flattered the editors' ideological preconceptions' " There was a great brouhaha over all this because the journal felt Sokal had misrepresented his article as a piece of serious scholarship, and Sokal felt that anyone with good sense should have been able to tell it was bulls**t. Frankfurt's book may suffer from some of this ambiguity, and it may not be worth ten dollars (and certainly won't cause a major brouhaha), but if you can swallow the cost and appreciate the rather peculiar sort of humor involved, you may find it worthwhile.

64 of 68 people found the following review helpful.
Provocative Title Reveals Topic Worthy of Deeper Discussion
By Ed Uyeshima
Professor Harry Frankfurt has come up with a compact winner with this provocatively titled tome, all of eighty pages, about a subject around which we all seem to have a vast amount of experience. As a professional philosopher who has earned emeritus status at Princeton University, he surely must be a master at this topic and sets about to prove it by discussing it with irony, broad humor and a cheekiness that ultimately brings a certain seriousness to his work. He is especially effective in portraying the mental improvisation we go through when asked unexpected questions that require thoughtfulness. Whether it is within the context of a political opinion or literary analysis, the very act he discusses actually provides great motivation for someone to learn more about what he or she is saying.

What Frankfurt does is take his analysis several steps further by saying his subject, if left unaddressed, will lead to such an altered perception of reality that we will not know what reality is. His argument about his subject as an indictment has merit, though at times, he seems to be carried away with his own rhapsodizing, rather ironic given the topic. According to the author, the very lack of sincerity in some schools of thought, epitomized by the rise of Nazism, for example, has led to a retreat from the ideal of correctness. I would have never thought of Nazism as the result of common BS, but Frankfurt makes this thinking seem entirely logical and that indeed it is a bigger threat than the outright lie. But he does not dwell on the delivery of such a message, as BS is more easily detectable than a lie, at least from most perspectives. A master at this topic fakes opinions with finesse, but he or she does not necessarily get things wrong. That is exactly the threat described perceptively by the author as "a lack of connection to a concern with truth". In essence, the search for truth becomes a moot point when there is no concern in finding it. I applaud Frankfurt for his audacious and attentive little book, as it reflects a fertile mind taking on a subject we all know intimately but rarely take so seriously. Highly recommended commuter reading.

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Sexual Life in Ancient Greece, by Hans Licht

  • Published on: 1933
  • Binding: Hardcover

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Jumat, 09 November 2012

[Q869.Ebook] Get Free Ebook Roman Lives, Corrected Edition: Ancient Roman Life Illustrated

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Roman Lives, Corrected Edition: Ancient Roman Life Illustrated

Roman Lives, a new edition to the Focus Classical Sources library, is a sourcebook that explores ancient life in all strata of Roman society by examining the epitaphs and other inscriptions in Latin. For departments of Classics at the high school or college level which offer Roman Civilization, Epigraphy, or Roman culture courses.

  • Sales Rank: #454014 in Books
  • Published on: 2015-06-03
  • Original language: English
  • Dimensions: 9.00" h x .41" w x 6.00" l, .60 pounds
  • Binding: Paperback
  • 188 pages

Review
"It is humbling to encounter 'real' Latin, in letters inscribed on a building or tombstone, and to be utterly at a loss beyond the obvious. Yet, as Roman Lives demonstrates. . . much of this material can be relatively easy to decode. Furthermore, this book shows how epigraphy can open a window onto ancient lives and their humanity. This book should thus prove a rich resource for teachers of Latin and Roman civilization." --The Classical Outlook

"The purpose of this sourcebook is to provide the uninitiated reader with a selection of tomb epitaphs, statue bases, building inscriptions and ancient graffiti that reflect the diversity of Roman society during the first two centuries A.D.  o this end, [Roman Lives] is a useful contribution, both to introducing a wider readership to the relevance of Latin inscriptions to studies of cultural relations in early imperial Rome and to the ancient epigraphic environment more broadly. Also welcome are Harvey's translations of the selected inscriptions. His reading of the Latin is consistent, literal and transparent." --Bryn Mawr Classical Review

From the Back Cover
A sourcebook of Roman inscriptions which reveal not only the daily lives of average Romans, but the way scholars infer the facts of Roman civilization from non-literary records. For courses in Roman civilization at all levels.

About the Author
Brian K. Harvey (Ph.D. University of Michigan) is an Assistant Professor of Classics at Kent State University.

Most helpful customer reviews

2 of 2 people found the following review helpful.
Interesting look into the Roman world
By M. Miller
I had to buy this book for my Roman Achievement class and I thoroughly enjoyed it- both the book AND the class! Much of what know of the lives of Romans was found by studying the many examples of how they wanted to be remembered- and that is primarily what this book offers. I like that it gives both English and Latin translations of tombstone inscriptions and that it is categorized by different social classes. This gave me a lot of insight into the differences between the lives of the aristocracy versus regular Roman families, slaves, freedman, or persons of the military. If you enjoy learning about the Roman era this book is a must have!

3 of 3 people found the following review helpful.
Great intro to Latin epigraphy
By Edward Yarborough
This book is good because it not only provides translations of a variety of interesting Latin inscriptions, it also teaches you a lot about the fascinating field of Latin epigraphy. It achieves this not merely by means of some nice introductory essays, but by printing, not simply a translation of each inscription, but also a relatively unedited Latin text followed by a more edited version of the Latin in which all the many abbreviations have been expanded into their full-word equivalents. This enables the reader to compare the translation with the text and learn those ubiquitous Latin abbreviations of which the Romans were so fond.

2 of 4 people found the following review helpful.
good sourcebook
By antiquarian
good sourcebook for Classics or a Latin class- specific Roman inscriptions and what they reflect about the ancient world.

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Kamis, 08 November 2012

[B628.Ebook] Download Basic QC Practices, by James O. Westgard

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Basic QC Practices, by James O. Westgard

Basic QC practices by James Westgard

  • Sales Rank: #921537 in Books
  • Published on: 2010-05-01
  • Original language: English
  • Number of items: 1
  • Dimensions: .90" h x 6.00" w x 8.30" l, 1.14 pounds
  • Binding: Paperback
  • 352 pages

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1 of 2 people found the following review helpful.
Clear, Simple, Saves me over and over again
By wtt1
This book has saved me multiple times. SO easy to read and understand. And I know nothing about stats, until I read his sections and then I appear really smart. :)

0 of 0 people found the following review helpful.
Four Stars
By yisel
Excellent

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